
Natascha photographs Annica & Simon during Agent Provocateur at Anna Pappas Gallery, Melbourne 2012, photo by Tristan Davies
PERFORMANCE – photography, pen tattoos, slide show, photo studio (works from Complete Burning Away) |
March 30, 2012 | Anna Pappas Gallery Melbourne

Natascha pen tattoos Anne during Agent Provocateur at Anna Pappas Gallery, Melbourne 2012, photo by Kim Liddle
Informed by the controversy around her major project with the ashes of Kurt Cobain, the “tattooed” statements critique the role of the artist and contemporary art in society. Visitors were invited to choose one of the countless responses to Stellmach’s project, but only from a pool of responses which debated “art”. This was then written onto their skin by the artist.
Agent provocateurs were traditionally “secret agents” employed to lure suspects into committing a crime with evidence. In this context the visitor is transformed into an agent provocateur for a night – a ‘durational work’ questioning the merits, ethics and parameters of contemporary art. The tattoos become both a fashion accessory – with Stellmach tattooing to complement “the evening’s antics and outfit” – as well as a positive transformation of the author’s initial, often highly-charged sentiment. For the Agent Provocateur performances, people of all ages queued to have their own temporary text-based tattoo, which lasted between one to three days.

Natascha pen tattoos Ashlee during Agent Provocateur at Anna Pappas Gallery, Melbourne 2012, photo by Kim Liddle

Queueing up while Natascha pen tattoos Nigel during Agent Provocateur at Anna Pappas Gallery, Melbourne 2012

Pat at the bar wearing Pele-mele, Greece during Agent Provocateur at Anna Pappas Gallery, Melbourne 2012, photo by Tristan Davies
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