BABES & BITCHES

Natascha Stellmach, CJ, 2014, ink and pen on photo paper, 69 x 86 cm, unique

CJ, 2014, handwritten ink on fine art print, 69 x 86 cm

An ongoing body of work exploring the shadow side of pop culture, society and the self. Candy, Crystal and CJ are informed by the 70s punk motto, “sex, drugs and rock n roll”, which was then co-opted by mainstream culture to become the cliché it is today. MORE below.

Natascha Stellmach, Crystal, 2014, ink and pen on photo paper, 69 x 86 cm, unique

Crystal, 2014, handwritten ink on fine art print, 69 x 86 cm

Stellmach-Candy-2014-Repro-wBorder

Candy, 2014, handwritten ink on fine art print, 69 x 86 cm

Stellmach making CJ, 2014

Stellmach making CJ, 2014

Installation view: Crystal, Candy & CJ, framed unique works, Wagner+Partner Berlin, 2014

Installation view: Crystal, Candy & CJ, framed works, each 69 x 86cm, Wagner+Partner Berlin, 2014

Natascha Stellmach, Crystal, 2014, ink and pen on photo paper, 69 x 86 cm, unique, red frame

Crystal, 2014, handwritten ink on fine art print, 69 x 86 cm, red frame

Known for creating socially critical works that blur the boundaries of the personal, historical and imaginary – each of the works in Stellmach’s ongoing series, Babes & Bitches (originally shown under I Don’t Have a Gun) begins with a single film frame, scanned from the artist’s 1970’s Super-8 home movies inclusive of its black edges. Following detailed intervention by Stellmach, the result becomes an irreverent exploration of self-image and popular culture with insights that are laced with ironic Australian black humour. By co-opting images and stories from her life and popular culture, and reinterpreting them through the addition of pink drawings of empowered (yet odd) women, collage, digital manipulation and handwritten prose – these works become universal messages of empowerment. Stellmach’s “babes and bitches” are both alter ego and talisman, and although the ‘guns’ they brandish are ‘loaded’ – they are fundamentally weapons of creativity.

2013 SERIES:

The Aussie-German art darling’s provocative show blends fact with fiction, confronting the contemporary concept of burnout while celebrating renewal.
Exberliner, 2013

Natascha Stellmach, I have a ghettoblaster and a pen, 2013, ink and pen on photo paper, 69 x 86 cm, unique, courtesy Wagner+Partner Berlin

I Have a Ghettoblaster and a Pen, 2013, handwritten ink on fine art print, 69 x 86 cm

Natascha Stellmach, I have a tattoo machine, 2013, ink and pen on photo paper, 69 x 86 cm, unique

I Have a Tattoo Machine, 2013, handwritten ink on fine art print, 69 x 86 cm

Natascha Stellmach, I have an air guitar, 2013, ink and pen on photo paper 69 x 86 cm, unique piece, courtesy Wagner+Partner Berlin

I Have an Air Guitar, 2013, handwritten ink on fine art print, 69 x 86 cm

Natascha Stellmach, I don't have a gun, 2013, ink and pen on photo paper 69 x 86 cm, unique piece, courtesy Wagner+Partner Berlin

I Don’t Have a Gun, 2013, handwritten ink on fine art print, 69 x 86 cm

Natascha Stellmach, I have a blender, 2013, ink and pen on photo paper 69 x 86 cm, unique piece

I Have a Blender, 2013, handwritten ink on fine art print, 69 x 86 cm

Installation view,

Installation view, “I Don’t Have a Gun”, framed works, at Wagner+ Partner Berlin, 2013

Informed by an experience of burnout in the artists’ own life, the 2013 I Don’t Have a Gun body of work is a celebration of renewal. Stellmach does not dwell on the negative aspects of the syndrome – instead her insights are evocative and hilarious. As always, Stellmach blends fact and fiction – blurring the boundaries of the personal, the historical and the imaginary. Co-opting images from her own life, creating new pop culture texts, and offering a series of ‘live’ tattoo performances, this exhibition is a unique and empowering exploration of taboo and self-image. (more)

Text (Deutsch)

More about the tattoos: THE LETTING GO

©Stellmach-I-Don't-Have-Gun_Install-MakingOf-2013

Natascha Stellmach installing “I Don’t Have A Gun” at Wagner+Partner, Berlin, 2013

Natascha Stellmach, installation view,

Installation view, “I Don’t Have a Gun”, paper and ink on walls, dimensions variable, at Wagner+Partner Berlin, 2013

Natascha Stellmach, installation view,

Installation view, “I Don’t Have a Gun”, paper and ink on walls, dimensions variable, at Wagner+Partner, Berlin, 2013

Visitors reading

Visitors reading “I Don’t Have a Gun” wall text at Wagner + Partner Berlin, 2013

I DON’T HAVE A GUN | WALL TEXT
It is summer and I am living by the beach when the smouldering begins.
Are they shooting again? They must be. I ignore until it wafts down from the eucalypt hills, the unsettling scent of burning flesh. I ask my family if they can smell it too, if I should alert the firemen. They laugh, turn on the TV and offer me more champagne. My father declares that all the mad folks are on mum’s side of the family. My mother proclaims that dad is more bonkers than the entire clan and suggests that perhaps I ought to just do art as a hobby.

I pace the beach up and down, up and down and watch the visiting Tibetan monks wading in the shallows with their robes pulled high, laughing hysterically into the glaring sun and edge past them, into the depths, past the floating fishes to get a perspective because then I may see the smoke that must be up there on those hills. Besides, no one goes to the beach by daylight anymore as we’re all running here and there or for fear of the dangers that may create the disorders that no one can cure and no one swims in the water because of God knows what. Plus I’m convinced that these fierce flames must be making their way into more bodies and perhaps also during the night – oh dearie me – and that must be the reason for the charred smell of flesh. I confide in my brother, affirm my theory with statistics and testimonials and he tells me to quit being a fucking Rocket Scientist and to have another beer or a chill pill or at least write horror scripts.

And so I ask strangers…(more)

Natascha Stellmach Installation view (detail),

Installation view (detail), “I Don’t Have a Gun”, paper and ink on walls, dimensions variable, at Wagner+Partner Berlin, 2013

Natascha Stellmach, installation view,

Installation view, “I Don’t Have a Gun”, paper and ink on walls, satin curtain, dimensions variable, at Wagner+Partner Berlin, 2013

Installation view,

Installation view, “I Don’t Have a Gun”, paper and ink on walls, satin curtain, dimensions variable, at Wagner+Partner Berlin, 2013

Natascha Stellmach, Installation view (detail),

Installation view (detail), “I Don’t Have a Gun”, satin curtain with reticle, dimensions variable, at Wagner+Partner Berlin, 2013

more INSTALLATION VIEWS 
Wagner + Partner Berlin

SELECTED PRESS
Dazed Digital | Under The Gun – Review by Natalie Holmes
Berliner Zeitung | Das Böse ist immer und überall – Review by Ingeborg Ruthe (Deutsch)
Die Welt & Berliner Morgenpost | Kämpf den Dämonen – Review by Frédéric Schwilden (Deutsch)
Deutschlandradio | Kunst die unter die Haut geht – Andreas Main reports whilst being tattooed during a Stellmach happening (audio & transcript: Deutsch)
TAZ, Die Tageszeitung, Berlin | Tattoo-Happening zur Selbsterkenntnis – Review by Meike Jansen (Deutsch)
a.muse Berlin | Beyond The Smoking Gun – Review & Interview by Julie Anne Miranda–Brobeck
Troublemag | Review & Interview by Carmen Ansaldo
Nau Nua Art Magazine | Interview by Juan Carlos Romero